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AbelCine
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Добавлен 13 янв 2009
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We share your passion for film and broadcast technology and are excited to bring you these instructional videos created by our technical experts.
Our tutorials cover cameras, accessories and workflows for Digital Cinema, broadcast and compact HD.
We share your passion for film and broadcast technology and are excited to bring you these instructional videos created by our technical experts.
Our tutorials cover cameras, accessories and workflows for Digital Cinema, broadcast and compact HD.
Видео
Cinematographer Nick Matthews Talks "Saw X"
Просмотров 6489 месяцев назад
In our latest filmmaker talk, we sat down with Los Angeles-based cinematographer Nick Matthews to dive into his experience as a filmmaker and discuss the long road that led him to lensing Saw X. Nick relates his inspiration for the terrifying look of the film, how this installment fits into the overall visual puzzle of the Saw franchise, and what made him choose the Sony VENICE digital cinema c...
At the Bench: Canon CR-N700 PTZ Camera
Просмотров 6579 месяцев назад
In our latest At the Bench video, Jason Zapata, AbelCine's Director of Integration, and Jeff Lee, AbelCine Director of Education & Product Specialization, take a look at Canon's CR-N700 PTZ camera. They discuss the CR-N700's newest firmware capabilities, including auto tracking and the XC protocol compatibility. Read the full post on our blog: www.abelcine.com/articles/blog-and-knowledge/tech-n...
At the Bench: New MultiDyne Products and Platinum Partnership
Просмотров 464Год назад
In our latest At the Bench video, Jeff Lee talks with Jesse Foster, VP of Product Development at MultiDyne, to discuss some their latest products, as well as the recent announcement of AbelCine as MultiDyne’s Platinum Partner for Cinematic Broadcast Solutions in the US. For a look at the press release regarding the new partnership, please visit: www.abelcine.com/articles/news/company-news/multi...
A Closer Look at the RED V-RAPTOR XL
Просмотров 6 тыс.Год назад
Ian takes a look at the RED V-RAPTOR XL, RED's new purpose-built studio camera. This new flagship camera takes everything you love about RED and adds new features that DPs and camera assistants have been requesting. See the full blog: www.abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/a-closer-look-at-the-red-v-raptor-xl Register for our virtual RED V-RAPTOR XL Quick Start class ...
A Conversation with "Old Henry" Cinematographer John Matysiak
Просмотров 1,1 тыс.Год назад
Megan Donnelly recently sat down with cinematographer John Matysiak to discuss his experience shooting the tense and beautiful western Old Henry. In this wide-ranging conversation, they talk about his creative inspirations, as well as his technical approach to the film, which was captured on the ARRI ALEXA Mini. For more information, visit our blog post: www.abelcine.com/articles/blog-and-knowl...
TRIBE7 BLACKWING7 SKIN Comparison Study by Theo Stanley
Просмотров 7 тыс.Год назад
Theo Stanley takes a closer look at the similarities and differences between TRIBE7 B-Tuned (stock) and S-Tuned (SKIN) lenses in this short comparison reel. For more information, read the full post: www.abelcine.com/articles/blog-and-knowledge/tech-news/a-comparative-look-at-tribe7s-skin-lens-tuning-conversion-kit To learn more about Theo Stanley, visit: www.wschupfer.com/artists/theo-stanley-c...
ARRI x Dylan George Signature Zoom Featurette
Просмотров 856Год назад
AbelCine teamed up with ARRI and Dylan George to explore the application of ARRI Signature Zooms in the world of high-end fashion production. Two-time Academy Award-nominee Djimon Hounsou lent his commanding presence and undeniable charm to the shoot, which was directed by Kwaku Alston and shot by DP Bartosz Nalazek, PSC, with color grading by Picture Shop. To view the full reel: vimeo.com/7481...
ARRI x Dylan George Signature Zoom Reel
Просмотров 424Год назад
AbelCine teamed up with ARRI and Dylan George to explore the application of ARRI Signature Zooms in the world of high-end fashion production. Two-time Academy Award-nominee Djimon Hounsou lent his commanding presence and undeniable charm to the shoot, which was directed by Kwaku Alston and shot by DP Bartosz Nalazek, PSC, with color grading by Picture Shop. To view the featurette: vimeo.com/748...
Canon CR-N500 PTZ Camera Snapshot
Просмотров 1,3 тыс.Год назад
Jeff Lee briefly explores a live MultiCam event application that utilizes multiple Canon CR-N500 PTZ cameras. Read the full blog here: www.abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/multi-cam-integration-with-the-canon-cr-n500-ptz-camera
Applications of the Canon CR-N500 PTZ Camera
Просмотров 960Год назад
Jeff Lee (AbelCine Director of Education) and JC Sciacca (AbelCine Integration Design Engineer) discuss the many advantages and potential applications of Canon's CR-N500 PTZ camera. Read the full blog here: www.abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/multi-cam-integration-with-the-canon-cr-n500-ptz-camera
First Look: Canon EOS R5 C
Просмотров 8992 года назад
Join Jeff Lee, along with Canon Senior Product Specialist Ryan Snyder, for an in-depth first look at Canon's first hybrid Cinema EOS/still camera, the EOS R5 C. They'll explore this exciting new camera's unique features, from the dual-menu system, to the 8K sensor, dual card slots, time code input, flexible recording modes (including internal Cinema RAW Light) and much more.
An In-Depth Look at the ARRI Hi-5
Просмотров 9 тыс.2 года назад
Recently Jeff Lee, AbelCine Director of Education & Product Specialization, was joined by Michael Best (ARRI Product Manager of Professional Camera Accessories) take a closer look at ARRI's new Hi-5 wireless follow focus system. Increased range, modular radios, backwards compatibility, and enhanced weatherproofing are just a few of the Hi-5's improvements, developed from client feedback on pred...
An In-Depth Look at the New Sony VENICE 2
Просмотров 6 тыс.2 года назад
Jeff Lee, AbelCine Director of Education & Product Specialization, sits down with Simon Marsh (VENICE Product Manage, Sony), and Tim Nagasawa, DIT, for a comprehensive first-look at the recently-announced Sony VENICE 2 digital cinema camera. In preparation for the VENICE 2 launch, Tim worked on a short film called Homecoming, shot by Robert McLachlan, ASC, CSC. Watch it here: ruclips.net/video/...
A Practical Look at the Canon Sumire Primes
Просмотров 8 тыс.2 года назад
A Practical Look at the Canon Sumire Primes
An In-Depth Look at the Litepanels Gemini 1x1 Hard
Просмотров 6072 года назад
An In-Depth Look at the Litepanels Gemini 1x1 Hard
ARRI ALEXA Mini LF SUP 7.0 Recording Formats Reel
Просмотров 1,7 тыс.2 года назад
ARRI ALEXA Mini LF SUP 7.0 Recording Formats Reel
ARRI Knowledge Base: Mastering the Wireless Ecosystem
Просмотров 11 тыс.2 года назад
ARRI Knowledge Base: Mastering the Wireless Ecosystem
ARRI Applications: Mixed Reality Workflow with RDM
Просмотров 4,8 тыс.3 года назад
ARRI Applications: Mixed Reality Workflow with RDM
ARRI Applications: ALEXA Mini LF & Signature Primes with Lucas Cohen
Просмотров 3,8 тыс.3 года назад
ARRI Applications: ALEXA Mini LF & Signature Primes with Lucas Cohen
Content Innovation: A Conversation with Matt Brasier of StyleShoots
Просмотров 2203 года назад
Content Innovation: A Conversation with Matt Brasier of StyleShoots
American Utopia: A Conversation with Ellen Kuras, ASC
Просмотров 7333 года назад
American Utopia: A Conversation with Ellen Kuras, ASC
A Look at Canon C500 Mk II with Rubidium Wu
Просмотров 3,3 тыс.3 года назад
A Look at Canon C500 Mk II with Rubidium Wu
American Utopia: Ellen Kuras, ASC on the Sony VENICE
Просмотров 1,1 тыс.3 года назад
American Utopia: Ellen Kuras, ASC on the Sony VENICE
Hello, I live in Sweden.Please can you tell me where can I buy an old Arri Alexa camera(with 45-250 mm lens).How much they cost? Thank you very much.
Hello, I live in Sweden.Where can I buy a old Arri Alexa(whith 45-250 mm lens)? Thank you.
With the two camera dialogue at 13 minute mark, the cameras are directly behind their shoulders yet not in frame. How does that work?
Will a Sony RCP now control the iris with this adaptor?
Thanks. I've been hearing about this for the last couple of years and now I know.
The audio was too distracting to focus on the visuals :/
Thank you, that was super helpful.
Wear a white shirt so we can see your product.
comi mira afobao pirdes
What connector does the monitor connect to this camera, I mean standard and not HDMI?
Really love your work. Could you enlighten me as to what tripod you are using please?
This is such a great video! I'd really love more information, like what tripod, etc.?!
This is such a great video! What tripod did you use?
Such a great video! What tripod was this shot with?
Nice nice stuff
Thanx! For the explenaition
Can I use lenses for 16mm camera? Or must I use only those for S16mm? Thank you.
Why there is an chapter Editing lens file without an explain about editing existing lens file !!!!
This camera still cost 75k brand new today...
I love the S- tuned. But both are gorgeous
What baseplate is this? Is the shoulder pad relatively comfy? looks to be VCT too? :):):)
Very cool - had no idea about matte black vs glossy black
Would love a review of the new Fujinon 24-300mm !
... you are best 👍🍀🤝 thanks
still love the gemini
watching in 2024
i dont have the shogun. Please, how can I use the FS7 with vmix for livestreaming? I will be happy if u do a video
Thanks for all the great recommendations!!! Awesome content.
Thanks for the review. I'm having a lot of trouble finding fluid heads that work with very lightweight cameras that have enough drag. Is the highest setting of drag different between the 3 and 5 step heads? ie. Is the 3 step just more spread out? Or is it the same as steps 1-3 and then it goes higher? How does the level of drag compare to other manufacturers. I have a Sachtler FSB4 and I can't get enough rage for ver slow pan/tilt moves.
Same exact sensor size as the OLD Pentax 645D. The colors aren't that great either. I bought a used Phase One instead.
Merci 🙏
I have 3 dollars
Just ordered 3 150mm firecrest nds , glad to hear theyre decent , now its just a matter of adaptor rings for each lens ,
PETR SWIGS WATER LIKE HARD LIQUOR WITH THAT TRADEMARK GRIMMACE. AAA
Canon C 300 camera. I will ask you as a practitioner: I installed the Relocator from Zacuto on the shoulder grip There I installed the original grip unit on it. I connected it with a cable to the socket on the camera body. With the grip unit I can now only adjust the aperture, the record function is not active. How to fix it, what is set wrong? grip init on the body has both functions, but on the relocator only one what is ? do you know what's wrong?
Great explanation
cool I want one
Thank you so much Megan for this informative and quick video. Most helpful. Namaste 🙏🏾
Any idea if this lens works with the RED Komodo X w/ AF enabled and aperture control seen on Red screen?
Anyone know if this works on a RED Komodo X w/ AF enabled?
Cool is it hard to use
What a stellar education on a 1 vs 3 camera setup. I liked the 3 camera setup the best, surprisingly the actors were at their finest there (as well as the 2 camera). Its interesting that in solo cam i liked their acting less. Food for thought, again a great video.
Thank you young man greatly appreciate the education
13 years ago!!
Nice
Out of the box, the image for general conference use is excellent. A frequent battle with the likes of the Blackmagic Ursa Broadcast G2 is reds and low light. Even on Auto, the CR-N500 delivers an instantly-useable image for IMAG and the auto-focus is a treat. We also use the Canon tracking software, though we have found Polymotion Studio tracking has better movement (albeit twice the cost).
Thank you! My MixPre 10II is arriving soon:-)))
great video! thanks for making this
Great! Thank you for this information! 👍 I was wondering what Hive Plasma lights were for, how they work, etc. Thank you 😊
We have three CR-N500s so at $1200 per instance of tracking software, it's is a bit of a steep investment for us to look at.